Bonnets & Sonnets: Reviews for June 25th

 

Music Review

Bardcore: Where have you been all my life?

Sara Krasne

There’s a new genre of music evolving on YouTube these days. It’s called Bardcore (or Medieval Style), and I am HERE for it! Bardcore is the soundtrack I didn’t know I needed as a historian and genealogist, I spend many days and nights steeped in the past, lost amongst the long (and sometimes not so long) dead trying to piece together their lives and connect them through the ages to the now.

Connected to both the present and the past as I am, hearing Progressive Rock (an occasional Hard Rock), Grunge, and modern Popular songs played out on harpsichord, lute-guitar, the bass notes thudding on hand drums and sometimes accompanied by the hammered dulcimer, melodies singing out on tin whistles makes perfect sense to me. Listening to this music, my inner band geek squeals in excitement and my nerdy heart soars.

The user names of the talented individuals who have pioneered this new and exciting genre may be lost in favor of their ‘real’ names one day, but for now I salute them. Graywyk, Cornelius Link, Algal the Bard, Constantine, Hildegard von Blingin’, Samus Ordicus and a host of others are joining the genre it seems daily now. Some of my favorites are those who have adapted the lyrics to a medieval (ish) style as well. Hildegard von Blingin’ has a cover of “Pumped up Kicks” by Foster the People that retains the catchy tune of the original song, but beseeches the “bully-rooks with your buskin boots” to “outrun my bow” of yew. And councils the rooks further to run “faster than mine arrow.” If you love music and are unapologetically nerdy, head over to YouTube, search “Bardcore” and fall into the past with a bit of anachronistic good humor. You won’t be sorry that you did! I’m off to the 1800s now, but I’m taking System of a Down’s “Toxicity” (Medieval version by Algal the Bard) with me!

YouTube Review

Townsends 

Ramin Ganeshram

If you are a fan of re-enactment sites and living history museums like Sturbridge Village or Colonial Williamsburg Foundation then you have likely seen the goods produced by Townsends (formerly Jas Townsend & Son) a manufacturer and retailer of reproduction 18th and early 19th Century clothing, cookware, and accessories. Not only do Townsend’s proprietors provide material for re-enactors, they walk the walk and are re-enactors themselves producing YouTube videos on everything from era-specific carpentry, camping and, my personal favorite, cooking. Billed as “a channel dedicated to exploring the 18th century lifestyle”, Townsends features proprietor Jonathan Townsend cooking recipes from both American and European cookbooks. Cooking both in a reproduction kitchen as well as campfire-side, Townsend prepares both long-gone recipes like Swanky & Gruit, Bison Soup and Corn & Eel Succotash along with those that are still familiar today like chocolate cream pie, fried chicken and pancakes. Clearly a skilled cook who enjoys the history of the dishes he prepares, the videos are both entertaining and educational. Lovers of the foodways of the Colonies and the Early Republic will enjoy this channel with can be found below.

https://www.youtube.com/user/jastownsendandson

Hold Still, My Dearest: Reviews for June 18th

 

TV Review: “Dead Still”

Sara Krasne

I will start by saying that this show is for mature audiences only as there are sexually explicit scenes as well as images of a graphic and sometimes gory nature. Set in Victorian-era Ireland, this show follows the exploits of photographer, Brock Blennerhasset (Michael Smiley), along with his niece, Nancy Vickers (Eileen O’Higgins) and his assistant, former grave digger Conall Malloy (Kerr Logan). Mr. Blennerhasset is a memorial photographer, meaning he takes pictures of the recently dearly departed, usually alongside their very much alive family. This type of photography was popular with the wealthy and elite of the Victorian era who had a somewhat morbid fascination with death and art surrounding it. Seances to commune with the dead were also popular in that time period and occur in the show. During the course of their adventures, a police detective, Frederick Regan (Aidan O’Hare), catches wind of an illicit photograph ring which deals in photos of a risqué nature. As his investigations go deeper into this seedy world, he seeks the advice of the renowned Mr. Blennerhasset. 

Dead Still is almost equal parts murder mystery and mad-cap detective story with a healthy smattering of macabre wit and humor thrown in for good measure. If you aren’t good at listening to Irish accents, you may have trouble following some of the conversations, but I love the accents and the delightful Irish-ness of it all. Most of the show takes place in Dublin and the surrounding country estates where it was, in-fact, filmed. This was particularly delightful as true-to-the story location filming is unusual these days. In a May 2020 interview with The New York Post Actor Michael Smiley spoke about filming in a huge mansion which only had one occupant who lived in a handful of the 40 or so rooms in the house. The crew filmed amongst the old relics left in the upper floors because who needs props when you’ve got the real thing collecting dust and creating just the right atmosphere? If you like dark humor blending with a bit of the ridiculous, you’ll love this show. The costuming is fantastic and mostly period accurate (there are a few discrepancies, but it’s a great show, so I turned a blind eye) I have found myself waiting between episodes with giddy anticipation and re-watching the previous week before the new one becomes available—in order to be in the thick of the story when the next installment  drops. The show’s tagline is: When death is in the picture, mysteries are sure to develop. And I think that when those mysteries develop, so too does an addictive show. Dead Still is available to stream through AcornTV, which is both a stand-alone service as well as a channel available through Amazon Prime. 

Film Review: “The Favourite”

Nicole Carpenter

Set during the reign of Queen Anne, spanning the years 1702 to 1707, The Favourite is the comedic tale of two women vying for the close friendship—along with the perks—of the English monarch. While complete fiction from the perspective of period costume and historic events, the film weaves an entertaining narrative lead by three strong female actresses portraying three actual historic figures. Olivia Coleman won an academy award for her portrayal of Queen Anne as a childlike monarch controlled by her lover. While Coleman gave a masterful performance, the historical record shows us that, as a ruler, Anne was highly involved in matters of state.

The love triangle shown in the picture is also fiction—Anne by all accounts was devoted to her husband, and enjoyed his mutual affection and respect. Some events shown in the film are based on history such as the political shift from the Tories over the Whigs, as well as Anne’s stroke; but little else of historic fact shines through this humorous depiction of the early eighteenth century.

Viewers will enjoy the imaginative story woven by the 2018 film, not for the depiction of the past but for the fanciful narrative.

Focus On: Darcy Hicks

Darcy Hicks is a well-known figure throughout town—an activist and artist who moved here with her brother and mother, who is also an artist mom, in 1978. Darcy went to Hillspoint Elementary, Long Lots Junior High, and Staples High School. After leaving for college, grad school in Boston and a career in NYC, Darci moved back to Westport when she married her high school boyfriend, attorney Josh Koskoff. The couple have raised their three boys in town.  

“In my years in Westport, I have known so many good people who truly care about those less fortunate. But the bubble is real, and so is the desire, however subconscious, to stay inside of it. So, the words haven’t always turned to action. Humility is not America’s thing, and yet without humility we can’t change how we see things. However, lately I’m seeing the bubble in Westport get thinner, and people are listening better. This gives me hope. 

I want to be careful about belittling the effects of COVID in Westport because I know many people have been suffering the effects – physically, psychologically, and financially. But we are all so lucky. Just a few miles south and north of us, our neighbors are unable to socially distance because of congested living situations, because they cannot afford to stay home from work, and because they are often the essential workers we need to help us function. And many of them have lost their jobs as their struggling workplaces have shut down – so the students I work with in Bridgeport, for example, are simply hungry all the time. That’s the reality of COVID for so many. 

With respect to COVID, I’ve caught myself being less careful in the last week or so, especially as I feel the urgency of speaking out and participating in protests for Black Lives Matter. Also, we are social beings, and for many this has been either a lonely stretch of time or a claustrophobic family time. As the weather gets nice, of course, we all want to get out and see our friends or go to the beach and be among other people. But I am very worried that we have been impatient and in denial. The thing that really drives me crazy is the people who say they aren’t worried about getting it so they are willing to “take a risk.” They are ignoring the very real fact that many of us are asymptomatic carriers, which is like being armed with a weapon that has its own mind. We can be giving it to those who are susceptible to dying from it. It’s so important to try to think about other people right now. 

Westport has two mouths. Out of one, we preach tolerance and inclusiveness – and that is not nothing. And, we have walked the walk, a bit. For example, unlike so many other wealthy suburbs, we provide housing and services for the homeless, for lower-income families, and for people with disabilities. However, the other mouth is simply that: a mouth. Being mostly white and wealthy, we have this remarkable ability to rest on our laurels. We post the right sayings, go to the right protests, and then close the blinds on the rest of the world. It’s not enough. You don’t have to be a confederate flag-waving white nationalist to be part of the problem. In fact, resting on your words or your beliefs – without actually fighting for change – is the systemic racism which allows for what we see on our screens. I can sum it up with this anecdote: shortly after Hurricane Sandy devastated our shorelines, people in Westport were incredibly responsive. It was beautiful to see throngs of people at the beach, raking people’s houses and yards free of sand. A week later, I put the word out that there was a project community in Norwalk that had literally been underwater, and again, the response was so generous. I collected gift cards, furniture, and at Thanksgiving many people cooked extra turkeys and sides since the residents of the project lost their kitchens in the flood. But: I could not get a single person to come with me to deliver the items! I made eight trips because people were so generous – but they were also generous with excuses as to why they couldn’t join me to meet the people who lived there. Until the people who live in the comfort of towns like Westport meet people from towns like Bridgeport, they will not understand how similar we are, and how different our circumstances are. What they would have discovered is that many of these people who were so destitute were sharing the food we donated with the homeless that lived on the streets outside their project. They were as giving and as compassionate as we are, and I was sad this beauty was not seen by Westport residents. 

I think we are moving in the right direction. Every debate and every argument pushes us forward. Sometimes the smaller arguments online – the shaming, especially – can set us back. But we are a lively town, willing to share our thoughts. I’ve always loved that about Westport. This engagement is what moves the dial and allows for creative thinking. 

I think that most women, actually, have had to learn to be patient, hopeful, and hardworking in order to get through life’s challenges. So as a woman who has, like all women, dealt with sexism in school, in the workplace, and in social circles, I feel equipped for obstacles. On a personal level, I’ve experienced family tragedies and trauma. These times seemed insurmountable, yet here I am.  

My fear stems from the scapegoating and vilifying of particular groups, whether it’s by race or by uniform or by income. It is distracting us from finding solutions to gun violence, systemic racism, climate change, and the pandemic. Because one thing we must do now is VOTE. We MUST get Trump out of office or he will dismantle the few protections to our country and our planet we have left, which are fewer every day. Most urgently I think climate change needs to be addressed so we can all live long enough to fight the rest of the world’s ills. My hope is that we get every soul in this nation to vote in November so we can avoid the iceberg and focus on repair. 

I love this town. When you are a parent, you don’t see your child as someone that should be doing things for you. You see that child as someone you should be nurturing and helping to become a good, compassionate person. When they disappoint, you don’t abandon them. You correct them and admit that maybe you also need to correct yourself. I hope that people can see Westport – or anywhere they live – in this way. It’s not here for us… it is here BECAUSE of us. 


Explore More of “Westport In Focus”

To read more of the museums long lens oral histories please visit the Westport In Focus page.

Focus On: Cat Graham, Westport Museum Associate

Catherine—Cat—Graham joined Westport Museum as an associate, after graduating from Staples High School in 2019. In addition to greeting visitors, she is learning the ropes of the museum field, and also uses her skills and talent as an artist to help exhibit installation and more.  

“My sense of the current-ness of history especially in more recent years has consumed many of my thoughts. But this current-ness isn’t new. Systematic oppression advances as fast as technology. A telephone is a telephone if it’s a rotary phone or a smartphone. But with my new exposure to local history and my town’s place in that history, historical events don’t feel so distant both geographically and chronologically. 

I have learned that the interpretation of historical events has almost always been done by the victors. Rarely are the stories of everyone ever told, giving people in the present an incomplete picture of the truth. This is especially important in this moment because one day we’ll look back on this moment from a historical perspective and I hope that people in the future will interpret the immense documentation of our current climate in a holistic way, and they may learn from the choices we are making right now.  

I want other people to know that while it feels very much like nothing has changed, in a lot of ways that’s true, progress has been made. In our exhibit Taking the Cure I realized how the narrative around mental illness has changed. While we still have a long way to go in our treatment and discussion around mental illness, there has been immense strides in the right directions. I joke rather morbidly sometimes that if I were alive a few decades ago a doctor may diagnose me with being a black girl and I’d never see the light of day again. But I find that before mental illness was a taboo topic, buried away instead of treated. Now, my friends and loved ones openly discuss therapy and medication and feel safe to do so. While it’s taken a long time to get where we are now, and there is still a long way to go, change can be made. Being surrounded by our past every day at work has made me realize that there is hope for our future. 

I’m a biracial girl so my experiences in life will always be safer and easier than that of a fully black person. I also am very light, my skin is more olive than brown. Because of this I am not “enough” to many people. To white people I’m not white enough to be white but I do not fit the picture of blackness they have painted in their minds. To black people I am not enough because I haven’t been hurt enough and to an extent that is true, my light skin is a shield in many ways.  I have never in my life had a black person teach me black history in school. Neither have many of my peers, so I can’t really blame them for what they think I should be.  

While I go home to a black mother who introduces me to black history, art, movies etc, my white peers don’t. Black issues and black history are almost a fiction. It’s too far back to be real and too far removed from them to be related to them. Oppression is part of the same world as poodle skirts and sock hops, because my white peers rarely interact with black people unless they are behind a checkout counter or cleaning their house. I was often the only black person in the room in my classrooms growing up. The students I sat beside only interacting with blackness when it’s convenient. They love rap music. They love full lips. They love a tan. They love thickness. They love the n word. They love black bodies and minds as long as they don’t have to live in them.  I can’t blame them for wanting me to be something else when they can wash blackness off in the shower and don’t have to risk being killed for it.  

 I think forcing our citizens to look our history in the eye to understand what the truth is, is important. The Museum’s exhibit Remembered: The History of African Americans in Westport was an incredible step forward and I am so happy I was able to see it even before I worked there and can now appreciate the work that went into making an exhibit like that. I never learned about Angela Davis or Tulsa Oklahoma in school let alone the enslaved black people that were considered the property of the people my [high] school is named after. I sat at the front desk of the museum over the summer facing the mural of names [of enslaved and free people of color]. My name –Cat– was one of them. Museums like the one I work at are incredibly important. Not only because they document, protect, and tell historical stories like this one, but also because they make up the gaps in education about what happened. By focusing on everyone’s story, not just the stories of the victors and the oppressors, we are doing right by our citizens.” 

Museums … are incredibly important. Not only because they document, protect, and tell historical stories…but also because they make up the gaps in education about what happened.


Explore More of “Westport In Focus”

To read more of the museums long lens oral histories please visit the Westport In Focus page.

Focus On: Jes Bengston, Regional Executive Chef, Terrain Café and Amis in Westport

Chef Jes Bengston has worked in Westport for the last four years at Terrain’s popular Café and downtown-Westport sister restaurant Amis Trattoria.  She lives in West Haven with her wife who is a hair stylist. The restaurants opened today (June 12, 2020) after complete closure during the COVID-19 lockdown period. 

“We have never opened a restaurant like this before and may never again. When you open a restaurant you either take over an existing restaurant with its staff or start a new place and build it up. Yet, here we are starting over with an established restaurant as if it were brand new. For example, we started the week with an empty kitchen that had to be stocked from scratch yet we have the same staff doing the same dishes we were doing before. This morning we got some jitters out of the way and brushed up on some rusty skills, figured out where stuff was since things had been moved around. 

We have a smaller staff now because we did have a couple of people who have skipped coming back because they just don’t feel safe—and that’s ok. We only need a smaller staff now because we are doing very limited service—ten outdoor tables only this week and then will begin limited indoor/outdoor service next week. The folks who are back are really happy to be here—everyone is eager to get back to life even if it’s a completely different kind of life.  

There are things we’ve had to learn or relearn. For example, the mask makes it really difficult to work both in the kitchen and on the outside patio for the servers. Everyone’s struggling a bit. We already do handwashing constantly and keeping a safe distance is an old trick. The store is outfitted with new high-grade air filters, great signage explaining safety procedures and PPE. There is a full protocol about what to do if an employee—or guest—feels sick or comes down with COVID. When people make reservations, they are advised of safety procedures and again when they come in and again on their menu. So, we hope everyone feels prepared. So, it’s feels like business as usual but with a twist—kind of like the first day of school. 

Working in restaurants makes you feel prepared for everything. In many ways we are re-inventing the wheel everyday – managing problems is what we do. It’s not unusual to figure something out on the fly. We live in organized chaos all the time—what do you do if you don’t get a food delivery? Or a cook is out? Or the electricity goes off? 

In some ways, I feel like I’m working backwards. For example, we normally try to make our food in 12 minutes—fast. People want to get in and out, they want to get out and pick up their kids, get back to work, go on with their lives. Now I’m telling staff to take some time–we are trying to make good food, with masks and we don’t know yet where anything [ingredient-wise] is. It’s a work in progress.  So, now we have set the expectations is you get good food, but we hope that people realize there are things we can’t control – like the weather for outside seating. My hope is that, after being inside for so long, we take our time and enjoy being out, enjoy being healthy, and having the means to enjoy a nice restaurant meal. 

During lockdown, I did think about the fact that people were learning to produce food at home at a higher level so they wouldn’t have to depend on chefs and restaurants.  But I don’t think this is necessarily a bad thing. I myself have never been home so much as during the quarantine — my job has crazy hours. We all go to work to be paid to have a safe and great home to enjoy but we don’t seem to do it. But during quarantine, I saw a lot of people doing that. Maybe that’s why we are not yet seeing people are rushing around — because I think they learned it wasn’t that bad.  

I see the world opening its eyes and ears and a whole generation awakening. We currently have the opportunity to change the outcome of our future — to gain civil rights for people of color, change our government, rebuild our police forces. I see a movement happening, and our generation ready and willing to speak for justice and change.  

I see the world opening its eyes and ears…

Like a lot of places, I think Westport has a lot of work to do. My thought is that we all take charge in the areas we can to make a difference, permanently and with passion. It’s not enough to discuss for a moment or to chalk your driveway or donate money, we all have to do more. We need to be having open discussions and acceptance of our behavior in the past whether that behavior was intentional or not and just do better. I’m hoping to focus on people of color in the local farming community and bringing better jobs and wages and opportunity in the Restaurant business.  

We are now in a moment that is a great opportunity to start over—with respect to a lot of things: food service, race relations, the environment. I think food can be freedom, it can open doors. We all have a lot of work to do and it’s an exciting time to discuss all that has been previously swept under the rug.  


Explore More of “Westport In Focus”

To read more of the museums long lens oral histories please visit the Westport In Focus page.